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孤岛时期的上海滩。陆天尧表面上是一个活跃在法租界里的翩翩公子，英俊体面又有教养,实际上，他是一个小偷,他经常接受上流人士的委托，盗取珍贵之物，并且还替他们保守秘密。一天,一个神秘的委托人让他去商人卢弘文家去偷一只红色天鹅绒外皮的盒子。陆天尧晚上去了卢弘文居住的高级公寓，开锁进屋，可打开书桌抽屉，他却傻了眼，因为里面根本没有委托人所说的小盒子，而且卢弘文被人打破头颅惨死家中。陆天尧还没有回过神来，就听见门前传来脚步声，接着三个警察冲了进来……这个盒子关系到一批珍贵药材的去向，是地下党和日本特务都想得到的。难道有人提前动手，杀了卢弘文，盗走了盒子？陆天尧被当作凶手而遭到通缉。于是，陆天尧一边躲藏一边寻找盒子的下落。
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1975 动作简介：Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”