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西部片巨匠霍华德·霍克斯HowardHawks导演的非洲冒险片。片中有不少精彩的野生动物生态镜头，捕兽场面也拍得相当热闹刺激，加上在阳刚气息中穿插的一些幽默笑料和浪漫爱情，使本片维持了一定的娱乐性。在环保意识已普遍抬头的今天，象这类题材的影片已很难看到了。由SeanMercer领导的一班猎兽团，专门在非洲捕捉野生动物，售给世界各地动物园，不过他们从不使用刀枪，却使用绳索及围困的方法，为免伤害到牠们。某天当他们捕捉一头犀牛的时候，其中一位名为Indian的队员受伤了，需要一种特别的血型来输血，众人担心不已，幸好Chips在，不过这名陌生人要求在猎兽团中得到一份工作。另一方面，这晚突然来了一位女士，名为AnnaMaria，她是买家派来的一位摄影师，要求在捕猎时拍摄过程，Sean大吃一惊，因为他一直以为那人是一位男生，于是这个由一位少女Brandy继承父业经营，本来很有默契，犹如一家人的工作团队，一下子产生了变化。
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1975 动作简介：Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”