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故事发生在中世纪早期，勃艮第人杀死国王，实行统治，乱杀无辜。莱雅是被害死的国王的女儿，逃过勃艮第人的屠刀，从小被一普通妇女收养，生活在风景秀丽的一个小村庄。本人并不知道自己的身世。勃艮第人知道世上有一把宝剑，谁能得到它，会力量无比，战无不胜。于是，他们发疯一样的到处寻找。莱雅是上帝指定的人选，担负着寻找宝剑的任务。\r\n一天，勃艮第人来到莱雅的小村子，几乎将所有人都杀了。莱雅养母临死前告诉莱雅了她的使命，让她去找牧师米米尔，以便知道宝剑在那里。于是，莱雅带上他的妹妹上路了。途中遇到了格罗和他的伙伴，他们的家乡也被勃艮第人霸占而被迫生活在山中。莱雅开始跟格罗习武，以便对付坏人。一段时间后，她们离开了格罗继续完成使命。\r\n勃艮第人头领哈格尔和女巫师一直没有放弃寻找宝剑。女巫师从手下一位士兵身上发现了她要寻找的一条项链，知道了莱雅就是执行上帝使命的人。她使用巫术从得到了宝剑的隐藏地。一个偶然机会，格罗发现莱雅肩上的一个记，他发现莱雅是前国王的女儿。为了不让莱雅冒险，格罗只身来到勃艮第人的城堡，虽然取回了项链，但却为此付出了生命。莱雅拿着项链，找到了宝剑的隐藏地。此时的勃艮第人和女巫师也来到了这里。莱雅用宝剑杀死了女巫师，并对天发誓，要为父亲报仇，为百姓报仇，让大家再次过上平安祥和的日子。
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1975 动作简介：Harry Moseby (Gene Hackman), a worn-out private detective, is hired to look for a 16-year-old girl who has run away from the luxury home of her mother, formerly a small-time actress in Los Angeles. The more the weary cynic tries to get under the surface of the seemingly simple case, the harder it is for him to find his bearings among the lies and deceptions that surround him. Eight years after the key New Hollywood film Bonnie and Clyde, Arthur Penn and Gene Hackman reunited to collaborate on what was to become one of the most undervalued films of the decade. Like Polanski in Chinatown or Altman in The Long Goodbye, in his revisionist film noir, Penn also allows the 1940s classic genre to pervade the complex reality of the 1970s. The feelings of bitterness and emptiness in the modern Chandleresque protagonist originate not only in the “public” sphere of the strange, increasingly convoluted case, but in his private life as well (boyhood trauma, a broken marriage). As Moseby remarks of a sporting event, “nobody’s winning … one side is just losing slower than the other.”